The indignation one feels over the vindictive bureaucrats who framed, persecuted and jailed him is tempered by the wit and humour with which he responded. The account of his work in exposing the cover-up over the student deaths during the Sichuan earthquake is deeply moving (as is the dedication of the young people who assisted him). The movie is equally good on his formative childhood and adolescence in exile to a distant part of China as the son of the despised modernist poet Ai Qing, as well as on his 12 years in America where he developed his art, had his first one-man exhibition, and literally gave the finger to the Chinese government with the famous photograph that has a raised middle finger in the foreground and Tiananmen Square in the background. Drawing on interviews with his wife, mother, brother, numerous people from the art world in China and elsewhere and the man himself, Klayman deals with every aspect of his career as architect, photographer, conceptual artist, social critic, blogger, tweeter and gadfly extraordinaire. He Is Heroic (Peter Bradshaw, The Guardian). He comes across as a gregarious, unpompous, comic version of the Soviet dissident writer Aleksandr Solzhenitsyn. The documentary narrates two episodes: Remembering, an installation created for the So Sorry exhibition at the Haus der Kunst in Munich, and Sunflower Seeds at the Turbine Hall of Londons Tate Modern. Without the cat-and-mouse game that the Chinese authorities instigate, Ai wouldn’t have nearly the profile he does, Alison Klayman, director of Ai Weiwei: Never Sorry, told. you are able to watch Ai Weiwei: Never Sorry streaming on AMC+ Amazon Channel. Chinese artist and activist Ai Weiwei provides the fascinating and provocative focal point for the documentary 'Ai Weiwei: Never Sorry' (opening. All screenings of Ai Weiwei: Never Sorry additionally fulfill the following Common Core English Language Arts Standards: SL9-10.1, SL11-12. From 2008 to 2010, Beijing-based journalist and filmmaker Alison Klayman gained unprecedented access to internationally renowned Chinese artist and activist Ai Weiwei. The American documentarist Alison Klayman had unequalled access to Ai Weiwei during the time he was working on the Bird's Nest stadium for the 2008 Beijing Olympics and staging his large So Sorry exhibition in Munich, and her excellent film is a lively, informative, funny and inspirational portrait of a courageous, charismatic, highly original man. Weiwei also uses large international exhibitions as vehicles to circulate his ideas. We watch companies use algorithms, and now AI, as a means of evading. Plus Interview With Doc Director Alison Klayman.
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